DAKSHINA BHAJANA
SAMPRADAAYAM (By Achala Bhakthan)
GEETHA GOVINDAM (POORNA
ASHTAPADI)
Gist of Raadha Maadhava
Sallapam:
Ashtapadi is the divya
Kaavyam: "GEETHA GOVINDAM", which describes the Raadha Maadhava Sallapam
with Sringaara Rasam. I use the word Ashtapadi everywhere since this has
come to stay among the Bhagavathaas and is understood in that term easily.
The Bhagawatham in 10th skandam describes Raasa Kreeda,where at one palce,
it only states that Sri Krishna enjoys with one particular Gopi in
seclusion to all other Gopis and this Gopi becomes too Egoistic and to
bring her ego down Sri Krishna goes away from her and mingles with all
other Gopis. Then this Gopi gets angry and blames Krishna for such
acts.Her sakkhi acifies her and unites them through her advice to both.
The Bhaagavatham never states about Raadhika. No other puranam explains
about Raadhika, except the Brahma Vaivartha Puraanam. In the 10th Skandam,
there is a description about Golokam where the Lord in the form of
Maadhava ever exists with Raadhika Devi as his consort.Due to a curse from
Sudhaama, one of the body guards of Sri Maadhava (Sri Krishna), Sri
Raadhika Devi had to take birth in the Bhoolokam as a girl. Sri Krishna
assures Raadhika that He would take birth as Krishna in Bhoolokam, where
she would take birth as the girl child of Vrushabhanu Maharaaja and then
both can enjoy the life in Bhoolokam. This is the basic story of Raadha
Krishna Jananam.
The poorva slokaas of
Ashtapadi paddhathi starting with "Meghair Medhuram
Ambaram"is nothing but the Kalyaana Choornikai in a
summary form. This describes the scenerey where Nanda Gopa, carrying the
child Krishna to the carttle's gracing field, finds the sky becoming dark
with clouds and the arrival of thunder storm and rain. He feels that the
child may get afraid and searches for someone to fetch him home. There
comes Sri Raadhika Devi, who is handed over with the child when Nanda Gopa
asks her to take Krishna Home. She fondly hugs the child and goes. Sri
Krishna Bhagawan thought it the right time to remind Radhika Devi about
her status and wishes to show her their earlier abode, i.e. Golokam. He
brings before her the scenery of Golokam which reminds her of her original
nature and all of a sudden in ectasy she tries to hug the Lord (seen in
Golakam) with both her hands open wide and she rushes towards Madhava
(Krishna in Bhoolakam).At that time, the child disappears and Krishna
thought that before accepting Radhika, the usual Vivaaha Karma should be
performed and as the eagerness of Raadhika cannot be controlled he orders
Sri Brahma Deva to perform the marriage, which he does with Pravaram,
Lagnashtakam, Kanyaka Daanam, Panigrahanam, Laja Homam etc. Raadha
Kalyaanam is said to have taken place in Brahma Muhurtham, that around
3.30 a.m. or so. This is the meaning of this slokam which is elaborately
stated in Raadha Kalyaanam as Choornikai. This shows that performing
Poorna Ashtapadi is equal to performing Raadha
Kalyaanam.
The theme in Ashtapadi
and the Author:
The Ashtapadi songs are
called "GEETHA GOVINDA MAHAA KAAVYAM", which is said to be the ancient form of Sringaara Kaavyams.
These are full of Sringaara Rasapravaaham. In short, These songs describe
the celestial love between Raadhika Devi and Krishna, The Egoistic nature
of Raadhika, Her Anger towards Krishna, Her viraha thaapam (sorrow in
separation), reunion and their Sallapam. This Kaavyam is composed by Sri
Jayadeva Swamigal, from self experience of the Godly principle within. Sri
Jayadeva was said to be living in the 12th century in the village "Kindu
Bilwam" near Puri Jagannath in the present Orissa State, born to the
saahtwic brahmin couple known as Sri Narayana Sashtri (also called
Bhojadevan) and Smt.Kamala Devi (also called Radha Devi). In his early age
Sri Jayadeva lost his parents and was staying in a Kutir in the forest,
composing songs and singing them with music in praise of Sri Krishna. Sri
Jayadeva is said to be the avathar of Sri Puri
Jagannath.
Padmaavathi was born to
a devoute Brahmin Deva Sarma, who,during his prayers longed for a child
and promised to present the child after growth to the Lord Jagannath
Himself. When she became of marriageable age, Sri Deva Sarma, in
fulfilment of his promise, offered her to Lord Jagannath, who ordered the
chief priest in his dreams to take the child to Sri Jayadeva and get her
married to him. Lord Jagannath informed the priest that Jayadeva is none
other than Himself. Thus, the girl was left at the Kutir of Sri Jayadeva,
against his wish, who refused to enter into Gruhasthaasrama. Due to the
stead fastness of Padmaavathi & her Bhakthi and service to him, he
considered it as God's will and ultimately married her in the normal way.
Sri Jayadeva enacted the scenes of this Kaavyam while composing it along
with Padmavathi dancing to the tunes. Thus, this Kaavyam is a living
monument of Srigaara Rasa Bhaava.
The summary of contents
of Ashtapadi:
Like Bhagawatham
describing Krishna Leela and Raasakreeda in 12 Skandams, Ashtapadi also
has 12 Sargams, containing 24 Ashtapadi songs. Each song comprises mostly
of Eight stanzaas with the exception ofone or two Ashtapadis which are
less or more than 8 stanzaas. (This kaavyam was placed before the Raja
Sadas and this has been named as Ashtap0adi by the Pandits and Raja. The
contents of Sargams, in short, are:
1. Picturisation of
Dasaavathaarams of Krishna and the prabhaavams of the Lord in various
avathaars are described in priase of Lord in the first two Ashtapadis. The
third & fourth Ashtapadis are the description of Vasantha Kaala
Varnanai & Raasa Leela of Krishna with other Gopis in Brindaavan
described by the Sakkhi.(1 to 4 Ashtapadis- 1st Sargam
called: "Samoda Damodarah")
2. Raadhikaa's grief as
Krishna is enjoying with other Gopis, ignoring her totally and getting
herself annoyed, being too possessive of Krishna and staying alone in the
kutir made of plants and requesting Sakkhi to go and explain to Krishna
Her plight and to fetch him to Her to accept Her. (5th and 6th Ashtapadi -
2nd Sargam called: "Aklesa Kesavah").
3. Krishna's
realisation of his mistake of ignoring Raadhika & spending his time
with other Gopis.(7th Ashtapadi-3rd Sargam called:
"Mugddha Madhusudhanah").
4. Sakkhi explaining
the Viraha Thaapam suffered by Raadhika and pleading to God to please
Raadhika by His presence before Her.(8th & 9th Ashtapadi - 4th Sargam called: "Snigddha Madhusudhanah").
5. Sri Krishna asking
Sakkhi to pacify Raadhika & fetch Her to Him. (10th & 11th
Ashtapadis - 5th Sargam called: "Abhisaarikaa Varnane
Saakaamksha Pundareekakshah").
6. Sakkhi explaining
the aweful condition of Raadhika due to Viraha Thaapam and Her inability
to move & requesting Lord to go to Her.(12th Ashtapadi - 6th Sargam
called: "Sothkkhantta Vaikunttah").
7. Shri Raadhika's
plight of suffering due to Viraha Thaapam and started blabbering like a
mad person in imagination of Krishna being in company of other
Gopis.(13th, 14th, 15th and 16th Ashtapadis - 7th Sargam called: "Vipralabhdha Varnane Naagareeka Naaraayana").
8. In the dawn Sri
Krishna arriving at Raadhika's Kutir and Raadhika, in anger, drives away
Krishna saying 'YAAHI MAADHAVA".(17th Ashtapadi - 8th Sargam called:"Kkhanditha Varnane Vilaksha Lakshmipadi:").
9. Sakkhi, criticising
about Raadhika's angry mood which mades Krishna disappear. The Sakkhi
advices Her to behave well when He comes next. Raadhika realises Her
faults and repents.(18th Ashtapadi - 9th Sargam called:"Kalahaantharitha Varnane Mugddha Mukundah").
10. Sri Krishna
reappearing before Raadhika and pacifying Her with His sweet words like:
you are my Jeeva, you are my ornament, you are my Pearl etc. and pleads
for Her forgiveness and goes away.(19th Ashtapadi - 10th Sargam called
: "Radha Varnane Mugddha Maadhavah").
11. Sakkhi, pointing
out to Raadhika about the kindness of Krishna and His behaviour and that
She should now go to Krishna's place and unite with Him & please Him.
Raadhika visits Krishna Mandir(where Krishna was waiting to receive Her)
and gets thrilled in his darshan. (20th, 21st and 22nd Ashtapadis - 11th
Sargam called: "Saanada Govindah").
12. Both enter the
house & become united.Krishna does alankaaram to Raadhika, whose
dresses were crumbled and displaced during the Union.Thus ends the
Sringaara Rasa Kaavyam.(23rd and 24th Ashtapadis - 12th Sargam called:
"Swadheena Barthrukaa Varnane Supreetha
Peethaambarah").
The sanctity of
Ashtapadi:
It is said that the
Ashtapadi Kaavyam of Sri Jayadeva has been blessed by the Lord Himself,
about which the 19th Ashtapadi vouchsafes. In this 19th Ashtapadi, in the
seventh stanza, he wrote as if Lord has suffered from Kaamam (passion)
& only Raadhikaa's feet kept on His head will bring down the Thaapam
and the Lord pleading to Raadhika to place Her feet onto His head.
Suddently, Jayadeva realises his mistake and feels how he could think of a
lady's feet being kept on the Lord. He repented and erased the stanza and
tried to re-write it. Having no ideas to pour he thought he could do later
and gave the Kaavyam to Padmavathi to keep it safe and that he would go
for oilbath. After some time, he came and called to Padmaavathi to bring
the Kaavyam as he had some good idea and wanted to fill up where he left
the song. With the oil soaked hand he wrote some lines and gave back the
Kaavyam to her and went for bath. After meals while taking rest, he opned
the Kaavyam and saw, to his surprise, the seventh stanza having got filled
up with what ever he originally wrote. He got wild and scolded Padvaavathy
for being negligent, for someone else has come and written what he did not
want to write. Padmaavathy in sheer surprise, narrated what happened when
he went for bath. Jayadeva realised that God has come in Jayadeva's form
and filled up the unfinished stanza with the same idea that occured to him
originally. This means that Lord himself has accepted the stanza, and
finally the Kaavyam itself.After this, the final Charanam of some
Ashtapadis are all ending with "Jayathu Padmaavathi Ramana Jayadeva Kavi"
because Jayadeva considered her as the blessed Bhaktha of the Lord &
he wanted to be known through her, since Padmaavathy got the Darshana of
Lord and not Jayadeva. Thus, this Ashtapadi has its acceptance by the Lord
Himself. The 22nd Ashtapadi is said to be the Kalyaana Ashtapadi, since it
is here that Raadhika comes to Krishna and Krishna accepts her and makes
her happy. To indicate the reunion, this is called Kalyaana
Ashtapadi.
Philosophical Improt of
Ashtrapadi:
Our scriptures declare
that for every Manthra/Sloka/Song, there is an inner import, which should
be taken up as the guide by evey Jeeva. Our seers have all given the
Brahma Thathwaas in the form of prayer songs,slokaas,Puraanaas,
scriptures, Srutis, Smritis and various bashyams for them. Everything
relates to the behaviour of human beings, their relations with nature and
God. They prescribe various methods to regain our lost status, i.e.
reunion with the Ultimate Truth. For instance, take tha Puranam:
Raamaayana. What is the moral we have to learn from there?
PITHRU VAAKYA
PARIPAALANAM, EKA PATHNI VRUTHAM, SAHODARA SNEHAM, SADHU SAMRAKSHANAM,
DHARMA STHAAPANAM, BHAKTHA PARIPAALANAM, DUSHTA NIGRAHAM, PATHIVRUTHA
DHARMAM, SARANAAGATHI THATWAM, BHAKTHA LAKSHNAM etc. etc.
Let us consider
Krishnavathaaram. What is conveyed through Bhaagawatham &
Bhaaratham?
DHARMA
PARIPAALANAM, SHARING WITH OTHERS, SARANAAGATHI THATWAM, AHANKAARA
DAMANAM, KARMA YOGAM, BHAKTHI YOGAM, GNANA YOGAM, HATA YOGAM, BHAKTHA
LAKSHNAM, BHAGAVATH KRUPA, DUSHTA NIGRAHAM, SISHTA PARIPAALANAM, JEEVAATHA
PARAMAATHMA BANDHAM, MAAYA, STUDY OF NATURE, UNITY IN DIVERSITY etc.
etc.
We have learnt
the principles one should adopt in leading a Dharmic life. We are handed
over with the practices one should adopt in leading a Saahtwic life. We
are also taught that we have the right to work and the result is left to
the Super Power, which is already fixed according to the equations
pre-determined depending on the quality and characteristics of each
action. We call this as VIDHI.
Similarly,through
Ashtapadi songs and slokaas,we have been shown practically
( 1) the value of relationships,
( 2) the falsehood of Ahamkaar and Mamaakar,
( 3) the existence of Truth in all forms,
( 4) Jeevaathma Paramaathma relationship,
( 5) God's Krupa towards Bhakthaas,
( 6) Secrets and purpose of Avathaars,
( 7) Bhaktha Lakshnam,
( 8) one-ness of all,
( 9) Principles of Bhakthi Maarga for salvation,
(10) Guru Sishya Bhaavam,
(11) Paraa Bhakthi,
(12) community living principles,
(13) strength of Unity,
(14) value of collective prayer,
(15) limitations of wordly relationships,
(16) Godly principle etc. etc.
Instead of the
Sringaara Rasa in Ashtapadi, we must see Bhakthi Laya Bhava in this
Kaavyam. Raadhika representing all the Jeevaathmaas, Sri Krishna the
Paramaathma and Sakkhi the Guru. All of us (Jeevaas), having separated
from the Paramaathma, have come to this world of matter & got
ourselves entangled in Maaya (Ignorance) and forgot about our origin - the
Permanant Bliss form of ours, we must feel the pangs of separation as
suffered by Raadhika,we must follow the advice of our Gurus, we must curse
our status, we must cast away our Ego, we must crave for the presence of
Lord and ultimately reunite with the Paramaathma, we should realise the
beauty and power of Nature, we must enjoy the happiness within and not
outside,we must enact the Leelaas of God like Jayadeva and Padmaavathi did
and follow the principles therein, we must be aware of the Bhagawath Krupa
when it flows and keep ourselves fit for receiving it. All the Puraanaas
and Kaavyaas are trying to project the way of life one should lead in
order to get re-united with the God.
The essence,
thus, of this Amara Kaavyam is the sorry state of affairs of Jeevathmaas
and the way to re-unite with Paramaathma through Prema Bhakthi & total
surrender to Lord as adviced by Sakkhi (who has played the role of a
Guru). The best bhaava we should possess while doing Ashtapadi is "NAAYIKA
NAAYAKA BHAAVAM" or "GOPIKAA BHAAVAM",which depicts the Bhakthi Layam.We
have stated earlier that Raadhakalyaanam took place in Brahma Muhoortham.
As per the Vendanthic explanations, the best time for Dhyaanam is Brahma
Muhoortham. Thus, Raadhakalyaanam is the Union of Jeevaathma with
Paramaathma & the best time for it, is the Brahma Muhoortham.
The
Paddhathi:
Before a
Kalyaana Paddhathi, it is customary to sing all the Ashtapadis,which
itself form a special Paddhathi called "POORNA ASHTAPADI PADDHATHI".The
paddhathi starts with RaamaNaama, Hari Naaraayana Song,Thodaya Mangalam,
Guru Keerthanams and then the three Poorva Slokams of Ashtapadi:
"Yadgopi
Vadanendu Mandanam Aboodu ....."
"Raadha
Manorama Ramaavara Raasaleela ..."
"Sree
Gopaala Vilaasini Valayasadrathnaadi..."
The third one is
normally sung in Poorvi Kalyaani Raagam as it is followed by a song "PADMAAVATHI RAMANAM - JAYA DEVA KAVI RAAJA"
in the same raagam, giving short history of Jayadeva and Padmavathi &
about the origin of this Kaavyam. Then the slokams:-
"Meghair
Medhuram Ambaram",
"Vaakdevatha
Charitha Chithritha Chittha Sadma",
"Yathi
Harismarane Sarasam Mana:" etc.
are sung. Now
starts first Ashtapadi with poorva sloka
"Vaacha:pallava Yathyumaapathidhara:"
. Both Poorva Slokaas and Uthara Slokaas of each Ashtapasi must
be sung. Naamavali may be taken up, time permitting, after each Ashtapasi
(after Uthara sloka) or atleast at the end of each
Sargam.
After the 24th
Ashtapadi, Paartha Saarathi Geetham "Bhajatha Prema
Krupaanidhi Maadhavam" in Thodi to be sung after the
slokam: "Nakkhaniyamida Khandoon". This
is followed by:-
Kalyaana
Tharangam:"Aaalokaye Rukmini Kalyaana Gopaalam"
Daasarvaal
Kruthis Pooja
Paddhathi Kramam
 Upachaara
Keerthanam.
If Poorna Ashtapadi is done
before Kalyaanam, then you can stop at any end of Sargam, as per time
permitting and continue the balance during Paddhathi Bhajan, Dolothsavam
and 22nd, 23rd and 24th on Kalyaanam day.In such case, the Parthasaarathi
Geetham and Kalyaana Tharangam should be sung after the Maangalya
Dhaaranam, but before Anjaneya. After Poorna Ashtapathi, it is customary
to recite the first starting sloka at the end, to indicate that this is a
continuous process and does not end with this programme.
There is a practice of offering
different palahaarams (total 24) at the end of each Ashtapadi. This is
possible only for some people. However, two Kela Fruits and Betal Leaves
& nut Nivedhyam is a must after each Ashtapadi.
Conclusion:
As the entire
Ashtapadi has to be sung without leaving any sloka or song, I have not
given the Attavanai for this as given for other paddhathis. However, if
anyone wants the Sankrit version of the Ashtapathi songs, slokaas etc.,
they may contact me with a request and I shall forward by email the same
along with the necessary fonts to read them.
SADSANGATHWE
NISSANGATHWAM
NISSANGATHWE
NIRMOHATHWAM
NIRMOHATHWE NISCHALA
THATHWAM
NISCHALA THATHWE
JEEVANMUKHTHI:
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