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This is a test of the american broadcasting system...  LOL

THAT GIRL COULD SING

She was a friend to me when I needed one
Wasn't for her I don't know what I'd done
She gave me back something that was missing in me
She could of turned out to be almost anyone
Almost anyone--
With the possible exception
Of who I wanted her to be

Running into the midnight
With her clothes whipping in the wind
Reaching into the heart of the darkness
For the tenderness within
Stumblin' into the lights of the city
And then back in the shadows again
Hanging onto the laughter
That each of us hid our unhappiness in

Talk about celestial bodies
And your angels on the wing
She wasn't much good at stickin' around--but
She could sing...

In the dead of night
She could shine a light
On some places that you've never been
In that kind of light
You could lose your sight
And believe there was something to win
You could hold her tight
With all your might
But she'd slip through your arms like the wind
And be back in flight
Back into the night
Where you might never see her again

The longer I thought I could find her
The shorter my vision became
Running in circles behind her
And thinking in terms of the blame
But she couldn't have been any kinder
If she'd come back and tried to explain
She wasn't much good a saying goodbye--but
That girl was sane

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dreams

EVERBODY HURTS - R.E.M.

When the day is long and the night, the night is yours alone,
when you're sure you've had enough of this life, well hang on.
Don't let yourself go, everybody cries and everybody hurts sometimes.

Sometimes everything is wrong. Now it's time to sing along.
When your day is night alone, (hold on, hold on)
if you feel like letting go, (hold on)
when you think you've had too much of this life, well hang on.

Everybody hurts. Take comfort in your friends.
Everybody hurts. Don't throw your hand. Oh, no. Don't throw your hand.
If you feel like you're alone, no, no, no, you are not alone

If you're on your own in this life, the days and nights are long,
when you think you've had too much of this life to hang on.

Well, everybody hurts sometimes,
everybody cries. And everybody hurts sometimes.
And everybody hurts sometimes. So, hold on, hold on.
Hold on, hold on. Hold on, hold on. Hold on, hold on. (repeat & fade)
(Everybody hurts. You are not alone.)

1989

Dylan Thomas  (1914-1953)


Do Not Go Gentle Into That Good Night

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.

Alfred Lord Tennyson  (1809-1892)


The Brook

I come from haunts of coot and hern,
   I make a sudden sally
And sparkle out among the fern,
   To bicker down a valley.

By thirty hills I hurry down,
   Or slip between the ridges,
By twenty thorpes, a little town,
   And half a hundred bridges.

Till last by Philip's farm I flow
   To join the brimming river,
For men may come and men may go,
   But I go on for ever.

I chatter over stony ways,
   In little sharps and trebles,
I bubble into eddying bays,
   I babble on the pebbles.

With many a curve my banks I fret
   By many a field and fallow,
And many a fairy foreland set
   With willow-weed and mallow.

I chatter, chatter, as I flow
   To join the brimming river,
For men may come and men may go,
   But I go on for ever.

I wind about, and in and out,
   With here a blossom sailing,
And here and there a lusty trout,
   And here and there a grayling,

And here and there a foamy flake
   Upon me, as I travel
With many a silvery waterbreak
   Above the golden gravel,

And draw them all along, and flow
   To join the brimming river
For men may come and men may go,
   But I go on for ever.

I steal by lawns and grassy plots,
   I slide by hazel covers;
I move the sweet forget-me-nots
   That grow for happy lovers.

I slip, I slide, I gloom, I glance,
   Among my skimming swallows;
I make the netted sunbeam dance
   Against my sandy shallows.

I murmur under moon and stars
   In brambly wildernesses;
I linger by my shingly bars;
   I loiter round my cresses;

And out again I curve and flow
   To join the brimming river,
For men may come and men may go,
   But I go on for ever.

William Butler Yeats  (1865-1939)

The Folly Of Being Comforted

One that is ever kind said yesterday
'Your well-beloved's hair has threads of grey,
And little shadows come about her eyes;
Time can but make it easier to be wise
Though now it seems impossible, and so
Patience is all that you have need of.' No,
I have not a crumb of comfort, not a grain;
Time can but make her beauty over again;
Because of that great nobleness of hers
The fire that stirs about her, when she stirs
Burns but more clearly. O she had not these ways,
When all the wild summer was in her gaze.
O heart! O heart! if she'd but turn her head,
You'd know the folly of being comforted.

Dearest Valerie

William Butler Yeats  (1865-1939)

The Folly Of Being Comforted

One that is ever kind said yesterday
'Your well-beloved's hair has threads of grey,
And little shadows come about her eyes;
Time can but make it easier to be wise
Though now it seems impossible, and so
Patience is all that you have need of.' No,
I have not a crumb of comfort, not a grain;
Time can but make her beauty over again;
Because of that great nobleness of hers
The fire that stirs about her, when she stirs
Burns but more clearly. O she had not these ways,
When all the wild summer was in her gaze.
O heart! O heart! if she'd but turn her head,
You'd know the folly of being comforted.

Index

Charles Williams  (1886-1945)
After Ronsard

When you are old, and I - if that should be -
   Lying afar in undistinguished earth,
And you no more have all your will of me,
   To teach me morals, idleness, and mirth,
But, curtained from the bleak December nights,
   You sit beside the else-departed fire
And 'neath the glow of double-poléd lights,
   Till your alert eyes and quick judgement tire,
Turn some new poet's page, and to yourself
   Praise his new satisfaction of new need,
Then pause and look a little toward the shelf
   Where my books stand which none but you shall read:
And say: 'I too was not ungently sung
When I was happy, beautiful, and young.'