Garth Paine

E-mail: garth@creativeaccess.com.au
Phone +61 3 95259844
mobile-0412-118292
Fax +61 3 95275549
Area of interest: Immersive environment installations and algorithmic composition.
"I use MAX to analyse incomming trigger data and control
multiple CD-ROM drives (6) and ono-linear video or animation packages (ie. Director). Trigger overflows feed a midi output. I have developed custom interface solutions for the ADB port on the Mac".
Hardware: ADB I/O, Gold Brick/PowerGlove, custom trigger input hardware, David Rokeby's VNS system.
Other Software: CSound, Logic Audio, Thonk, SoundHack, Sound Designer + ProTools, Finale
 
 

John Phillips / Carolyn Healy

E-mail: healy@pobox.upenn.edu
URL: http://www.irwins.pvt.k12.pa.us/phillips
"I (John Phillips) have used Max for many years for studio tape creation and sound installation work. "
Other areas of interest: Algorithmic composition using genetic/CA.
Some software favorites: "I use Essl's wonderful RTC_Lib a great deal."
Hardware: "I use a Buchla Lightning with success as an input device to MAX in the studio as well as PAiA analog/MIDI units for installation situations. My trusty Peavey PC1600 is also very useful."
 
 

David Rodger

E-mail: musdr@lure.latrobe.edu.au
URL: http://farben.latrobe.edu.au/d_rodger
Area(s) of interest: motion capture technologies for music performance
Hardware: MIDI Corset (proprietary egocentric motion tracker)
 
 

Nick Rothwell

E-mail: nick@cassiel.com
CASSIEL: Music and Contemporary Performance Arts.
Live electronic scores for contemporary dance.
Area of interest: Max based MIDI performance systems and control surfaces.
Hardware: Wavestations, Morpheus, VL1-m, Buchla Thunder, loads of fader boxes.
Debut CD ("LISTEN/MOVE") out sooner or later.
URL: http://www.cassiel.com
 

 

David Z. Saltz

Assistant Professor of Drama, University of Georgia
Interests: Interactive theater, sculptural installations.
"I create audience-participatory environments using a variety of sensing
devices for input, and sampled voices, Laserdisc and Quicktime video
as output."
E-mail: saltz@uga.cc.uga.edu
Hardware: David Rokeby's Very Nervous System, I-Cube, custom sensors
and circuit boards.
 
 

Fletcher Sandbeck

"Doing work for TechnoFrolics on choreography and interactive control of electronic sculptures. I am particularly interested in patches which detect features in a live audio stream (beats, notes) and in hardware for interfacing with the real world (input and output).
Location: Cambridge, MA
E-Mail: fms@mit.edu
 
 

Joan Sanmarti

composer. guitar player.
Member of Orquestra del Caos .home studio owner.
Area of interest with Max: interactivity, real time midi control, etc... .
Location: Barcelona, Spain (somewhere in Europe)
E-Mail #1: sanmarti@seker.es
E-mail #2: sanmarti@phonos.upf.es
URL #1: http://www.bbs.seker.es/~sanmarti
URL #2: http://phonos.upf.es/~sanmarti
"I use very "convetional" hardware system with MAX like: guitar to MIDI converter, SoundCanvas, etc...."
Other software: Phonogramme, SoundHack
 
 

Eric Singer

E-mail address: esinger@cat.nyu.edu
URL: http://cat.nyu.edu/eric
Area(s) of interest: live interactive performance, integrated computer
music & graphics systems, alternative input/output devices
Publicly available patches: externals:AiffPlayer, SeqPlayer, VideoIn,
Boids, EnvGen, Talk; patches: Singer Library 1, CDClipper
Availibility by request or download: download from web site
Unusual hardware used: IVL Pitchrider, Ascention Flock of Birds,
Power Glove, Radio Baton, video input
Other interesting software: currently developing software
to create artificially-intelligent animated musicians
 
 

Michael Sweet

E-mail: msweet@bway.net
Telephone: (212) 995 2260
Areas of Interest: Special Installations for Sound Venues
Hardware: The Beam, I-Cube, Radio Baton, WaveRider, PowerGlove
"I have been keeping an archive for the max-list which is posted to serial.music.uiowa.edu called MaxListArchive. I post the most recent version every 3 months or so."
 
 

Bill Vorn & Louis-Philippe Demers

Areas of interest: Real Artificial Life, Interactive Robotic Installations
Using Max for: Robotics control, Environment sensing, Lighting control, Sound generation
6585 Jeanne-Mance #301
Montreal (Quebec) Canada
H2V 4L1
tel (514) 495-7673
E-mail: d356644@er.uqam.ca
URL: http://www.comm.uqam.ca/~vorn/chaos.html
publicly availible externals: LifeTools
Hardware: many custom MIDI interfaces
 
 

Richard Zvonar, PhD

E-mail: zvonar@LCSaudio.com
URL: http://www/well.com
Area(s) of interest: Editing and live control of digital signal processors
Publicly available patches: H3000 editor - a graphic patch editor for the Eventide H3000 series Ultra-Harmonizers, DSP4000 MacEdit - a non-graphic patch editor for the Eventide DSP4000 Ultra-Harmonizer, TC2290 editor - a graphic editor for the tc electronic TC 2290 digital delay/sampler
Availibility by request or download:
Eventide and TC editors are available for purchase
(818) 760-8055 voice/fax
71501.3342@compuserve.com