Movie Quotes (B)

Back to the Future

George McFly: Yes! Yes! I'm George, George McFly! I'm your density. I mean...your destiny.

Dr. Emmet Brown: Roads? Where we're going we don't need roads.

Bad Boys

Mike Lowery (Will Smith): King Dingaling.

Marcus Burnett (Martin Lawrence): You mean, y'all paid, what, $80,000 for this car and you ain't got no damn cup holder?!
Mike: It's $105,000 and this happens to be one of the fastest production cars on the planet. Zero to sixty in four seconds, sweetie. Limited edition.
Marcus: You damn right it's limited! No cup holder, no back seat. Just a shiny dick with two chairs in it. I guess we the balls just draggin' the fuck along.

Julie Mott (Tea Leoni): I don't eat flesh.
Marcus: Say what?
Julie: That's flesh that you're shoveling into your mouth. You know, that was, like, a living, breathing creature. You know, it probably had a name.
Marcus: It's just bologna. My bologna has a first name.

Marcus: This is bad. No, let me call it what is. This is fucked up!

Marcus: Do you see the fuckin emotion on my face? That means this shit is serious! That means me and this motherfucker's not vibin' right now!

Mike: You know, I'm so sick of this bullshit! Am I supposed to apologize for my family leaving me money? All I ever wanted to do was be a cop. I go out there and take it to the max everyday. I'm the first one there, and the last one to leave, so you know what, fuck you, and fuck them, and fuck everybody that's got a problem with Mike Lowery.
Marcus: I love you, man.
Mike: Fuck you!
Marcus: I do.
Mike: Shut up, you slow ass driver. You drive like a bitch!
Marcus: Why I gotta be all that? Tell you what, I'll drive off this fuckin cliff if you keep fuckin with me. Then it'll be two bitches in the sea. My wife knows I'm no bitch. I'm a bad boy!
 

Barcelona

Ted (Taylor Nichols): You're very perceptive.
Montserrat (Tushka Bergan): What?
Ted: You're very perceptive.
Montserrat: What?
Ted: You are very perceptive.
Montserrat: Oh. Thank you.

Ted: You see, that's one of the great things about getting involved with someone from another country. You can't take it personally. What's really terrific is that when we act in ways which might objectively seem asshole-ish or, or, incredibly annoying, they don't get upset at all. They don't take it personally. They just assume it's some national characteristic.
  *Basketball Diaries

Batman

Jack Napier (Jack Nicholson): Have you ever danced with the devil in the pale moonlight?
 

Batman Forever

Batman (Val Kilmer): I guess we're all two people. . . one in daylight. . . one in shadow.

Bruce Wayne: Then it will happen this way: You make the kill, but your pain doesn't die with Harvey, it grows. So you run out into the night to find another face, and another, and another, until one terrible morning you wake up and realize that revenge has become your whole life. And you won't know why.

Beaches

Hillary: I don't even remember what it was I was mad about and I don't care. Whatever it was that you did, I forgive you.
C.C.: What I did? You and your lousy letters. Just to get one of them made me special even before I opened it. All your crappy stories, all your big dreams.
Hillary: I didn't know that.
C.C.: Well, what the hell did you know? Did you know how bad things were for me? No, because you wouldn't even open my letters. If you had even answered one, just one! Told me what a jerk I was, anything! But you didn't. You took your friendship away without even discussing it with me. So, thank you very much for forgiving me. But I don't forgive you.

Hillary: I'm not stubborn, I'm... right.

CC: You're not dead yet, so stop living as if you are!
 

*Beautiful Girls

Paul (Michael Rappaport): She's not home.
Tommy (Matt Dillon): Where is she?
Paul: Bangin' that guy.
Tommy: Buddy, she's sleeping.
Paul: I bet you twenty dollars, Bird, she's bangin' that guy.
Kev: Bad bet.
Paul: Bad bet? Why?
Kev: Well, either way you lose. If you win, she's bangin' the guy, so you lose. If you lose, you lose twenty bucks. It's not a smart bet.
Paul: I can't believe her.
Tommy: Do you really think she's bangin' this guy.
Paul: Bird, I know...she's bangin' this guy.
Kev: The meat cutter?
Paul: Yes, the fuckin' meat cutter. What kind of future can she have? This guy, he cuts meat.
Tommy: You plow snow.
Kev: Hey, at least meat, you can eat.

Paul: We need models.
Willie (Timothy Hutton): Models, what do you mean?
Paul: Models, we need models. They're beautiful, they're rich, they travel a lot so you don't have to spend that much time with them. Those fuckers that date models, they got it made. My next girlfriend is gonna be a six foot tall model. Definitely. A big one.

Willie: Yeah, my mother's dead.
Marty (Natalie Portman): I knew it. Your dad's kind of a sad guy. Your brother's kind of missing that thing, that thing that having a mom gives you. It's a lonely house you got, if you don't mind me sayin'.

Willie: What's your name?
Marty: Marty.
Willie: As in Martha?
Marty: As in Marty. Named for a grandfather I never even knew, Martin. So, now I'm Marty, just Marty, a girl named Marty which I think is the bane of my existence.

Willie: How old are you?
Marty: Thirteen. But I'm an old soul.

Marty: Willie, I like your 'burns.

Paul: Look I want you to take this ring.
Jan (Martha Plimpton): I got customers, Paul.
Paul: Jan.
Jan: Paul.
Paul: Jan!
Jan: Paul!
Paul: Take the fuckin' ring!
Jan: Oh, that's romantic!
Paul: Well, you already sucked the romance out of this entire thing.
Jan: Look, this is the desperate act of desperate man. Only when faced with losing me, do you decide you want to spend the rest of your life with me.
Paul: So what's wrong with that, huh? I didn't like the alternative. That's how usually one comes to a decision anyway, right?
Jan: Wrong again Paul. One comes to a decision based on what one wants, not based on what one doesn't want. Got it?

Tommy: Diamonds are supposed to be colorless. You go out and you buy a colored diamond for a girl you're not even seeing, man. You've been eating retard sandwiches again.

Marty: I like to mash snow, it gives me a tremendous sense of self satisfaction.

Marty: If I'm not mistaken, you've come back here to the house of loneliness and tears, to Daddy Downer and Brother Bummer, to come to some sort of decision about life...a life decision if you will.

Gina (Rosie O'Donnell): At first, after the breakup, you'll have these visions. Of you alone, 57, 58, walking around, wearing a nightgown, your hair in a bun, maybe you're a librarian, heating up a can of soup for one, and worrying about the cobwebs that are growing in your womb.
Friend: Gina!
Gina: But, the visions fade and that's my point. You will get over him. It will take about two years. You'll be 29 then, it'd be so much better if you were 24 now so that then you'd be 26, but we don't choose these things.
Friend: They choose us.
Gina: Exactly.

Gina: The man can't commit.
Sharon (Mira Sorvino): Why is it that every time a relationship doesn't work out, we say its cuz they can't commit. I mean, you know, shouldn't I take some of the blame here.
Gina: No. That is the grief talking.
Friend: No way is that Sharon Cassidy.
Gina: No, it's a little grief-stricken girl who looks a lot like Sharon Cassidy.

Paul: See these guys? Husky Pete, Rizzo and Sammy B? They work all day and drink all night for 40 fucking years. Two weeks out of the year, they take a vacation and go to the Cape. What do they do? They drink all day, they drink all night.
Tommy: Does this little observation of yours contain any thing at all resembling a point?
Paul: If we don't step it up, if we don't watch out we're gonna wind up like Husky Pete and Rizzo and Sammy B.
Kev: Cool.

Stinky: A girl like that is born with a boyfriend.

Gina: If you had an ounce of self-esteem, of self-worth, self-confidence you would realize, as trite as it may sound, beauty is truly skin deep.

Marty: So, gonna marry that girl in New York City?
Willie: I don't know, why?
Marty: I don't think you should.
Willie: How come?
Marty: You should wait 'til you're ready. You should wait 'til you meet someone who excites you.
Willie: Yeah, well you know she may not be out there.
Marty: It's like the Wizard of Oz, William. The whole time it was right in your own backyard.
Willie: What do you mean?
Marty: You. Me and you.
Willie: Really?
Marty: Yep. You don't think?
Willie: Well, we have a little age problem.
Marty: I know. We're as star-crossed as Romeo and Juliet. It's a tragedy of Elizabethan proportions.
Marty: If your feelings for me are true...you'll wait.
Willie: Wait?
Marty: Yep. Wait five years. I'll be 18, we can walk through this world together.
Willie: You know in five years, you won't even remember me.
Marty: William.
Willie: I'm formed and you're not and you still have changes to go through. You'll change, then I'll be Winnie the Pooh to your Christopher Robin.
Marty: No literary references left uncertain. How do you figure, Pooh?
Willie: Well, Christopher Robin outgrew Pooh. That's how it ended, he had Pooh as a child and as he matured, he didn't need him anymore.

Tommy: Can I ask you a question?
Andrea (Uma Thurman): Go ahead.
Tommy: How long have you been going out with your boyfriend?
Andrea: Eight months.
Tommy: And it's good?
Andrea: It's very good.
Tommy: He makes you happy?
Andrea: Yeah. I look for that in a man you know. The ones that make me miserable don't seem to last.
Tommy: Right.
Andrea: You know there's four words I need to hear before I go to sleep. Four words. "Good night sweet girl." That's all it takes. I'm easy, I know, but a guy who can muster up those four words is a guy I want to stay with.
 

Paul: A beautiful girl is all powerful and that is as good as love gets.

Andera: So why the sad face?
Willie: Job requirement. Happy piano players work the circus.

Willie: You know how it is, the beginnings? When you first fall in love and you can't eat, you can't sleep and getting a call from her, it makes your day. It's like seeing a shooting star.
Andrea: It's the best.
Willie: Yeah, but, inevitably it goes away. It quiets down. So, this is my thing see, why get married now? Why not have two, three more of those beginning things before I, you know, settle into the big fade?
Andera: The big fade, that's an awful way to put it.

Willie: I look at you and I think it's amazing that there's a guy out there gets to do all kinds of things with you. He gets to make you happy and spend evenings with you...
Andrea: ...make me martinis, listen to Van Morrison...
Willie: ...smell your skin...
Andrea: ...after a day at the beach.
Willie: Yeah, and read the papers...
Andrea: ...on a Sunday morning...
Willie: ...a rainy Sunday morning, and pepper your belly with baby kisses... Sorry.
Andrea: The thing is, there's a guy out there thinks the same thing about Tracy and he's jealous of you, you getting to do all that with her.
Willie: Let me ask you something; can you think of anything better than making love to an attractive stranger, in the middle of a frozen lake, with just an oil light to guide your way? Can you think of anything better?
Andrea: Going back to Chicago. Ice cold martini. Van Morrison.
Willie: Sunday papers. Got ya.

Willie [calling out of an window]: Hey!
Marty: Romeo and Juliet, the dyslexic version.

Paul: So you're the little neighborhood Lolita.
Marty: So you're the alcoholic high school buddy shit for brains.

Kev: Willie C! Stay cool! Stay cool forever.

Beavis and Butt-head Do America

Beavis: I am the great Cornholio. I need T.P. for my bunghole.

Beavis: Why does everybody want to see my schlong?

Old Woman on Bus: I'm hoping to score big myself. I'll mostly be doing the slots.
Beavis: Yeah, yeah. I'm hoping to do some sluts too.

[After a cavity search by a female FBI agent]
Butt-head: Did I just score?

Bed of Roses

Lewis Farrell(Christian Slater): So.
Kim (Pamela Segall): So.
Lewis: So, you, ah, must be wondering who I am?
Kim: Someone who's making Lisa as happy as I've ever seen her.
Lewis: But?
Kim: But, if you hurt her, I'll kill you.

Lisa Walker (Mary Stuart Masterson): I don't have room in my life for somebody this great. I work for a living.

Kim: He's the romantic equivalent of a night-light.

Kim: With a fantasy like this who wants the truth?

Lewis: Every now and then everybody is entitled to too much perfection.
 
 

Beetlejuice

Delia (Catherine O'Hara): I will live with you in this hellhole, but I must express myself. If you don't let me gut out this house and make it my own, I will go insane and I will take you with me!

Lydia (Winona Ryder): My life is a dark room. One big dark room.

Lydia: I myself am... strange and unusual.

Before Sunrise

Celine: I used to think that if none of your family or friends knew you were dead, it was like not really being dead. People can invent the best and the worst for you.

Benny & Joon

Joon: Having a Boo Radley moment, are we?

Better Off Dead

Lane Myer (John Cusak): Gee Ricky...I'm really sorry your mom blew up.

Charles: Buck up little camper. submitted by Sarah

Charles: Wait a second, I think I'm on to something-this mountain is pure snow. submitted by Sarah

Paperboy: I want my two dollars. submitted by Sarah

Beverly Hills Ninja

Haru (Chris Farley): I have come to the Hills of Beverly disguised as a pimp to save you. submitted by James

The Big Chill

[about men]
Meg (Mary Kay Place): They're either married or gay. And if they're not gay, they've just broken up with the most wonderful woman in the world, or they've just broken up with a bitch who looks exactly like me. They're in a transition from a monogamous relationship and they need more space. Or they're tired of space, but just can't commit. Or they want to commit, but they're afraid to get close. They want to get close, you don't want to get near them.

Nick (William Hurt): Wise up, folks. We're all alone out there and tomorrow we're going out there again.
 

Billy Madison

Billy Madison (Adam Sandler):Oh, Veronica Vaughn. Soooo hot. Want to touch the heiney.

3rd Grader: Hey look everybody, Billy peed his pants.
Billy: Of course I peed my pants, everyone my age pees their pants. It's the coolest!
3rd Grader: Really?
Billy: Yeah! You ain't cool, unless you pee your pants!

Billy Madison: Miss Lippy, the part of the story I don't like, is that the boy stops looking for his dog after an hour. He just sits on his porch like a goon, he didn't put up posters or anything. That boy's gotta think "You got a pet, you got a responsibility! You can't just look for an hour and call it quits. So you get your ass out there and you find that fuckin' dog!"

Old Woman: If peeing in your pants is cool, consider me Miles Davis.
Billy: That was the most disgusting thing I've ever heard.

Birdcage

Armand (Robin Williams): You do an eclectic celebration of the dance! You do Fosse Fosse Fosse Fosse Fosse! You do Martha Graham Martha Graham Martha Graham, or Twyla Twyla Twyla, or Michael Kidde Michael Kidde Michael Kidde Michael Kidde, or Madonna Madonna Madonna Madonna... but you keep it all inside.

Armand: So this is Hell. And there's a crucifix in it.

Albert (Nathan Lane): Don't give me that look!
Armand: What look?
Albert: That look that says you know everything because you're a man, and I know nothing because I'm a woman.
Armand: But you're not a woman.
Albert: You bastard!

Mrs. Keeley: What interesting china! Why it looks like young men playing leap-frog. Is it Greek?

Armand: Shouldn't you be holding the crucifix? It is THE prop for martyrs!

Blade Runner

Roy Batty (Rutger Hauer): Quite an experience to live in fear, isn't it? That's what it is to be a slave.

Roy Batty: Chew, if only you could see what I've seen with your eyes!

Deckard (Harrison Ford): I don't know why he saved my life; maybe in those last moments he loved life more than he had ever before. Not just his life; anybody's life; my life.

Blues Brothers, The

Elwood Blues (Dan Akroyd): We're on a mission from God.

Blue Velvet

Dorothy Vallens (Isabella Rossellini): I have a part of you with me. You put your disease in me. It helps me. It makes me strong.

The Brady Bunch Movie

Mike Brady (Gary Cole): When you tell on someone, you're not only telling on them. You're telling on yourself.

Mike Brady: Put on your Sunday best kids; we're going to Sears!

Mike Brady: As a wise man once said, "Wherever you go, there you are."

Greg Brady (Christopher Daniel Barnes): Hey there, groovy chicks. You're all hep in far out ways.

Eric Dittmeyer (Jack Noseworthy): She's harder to get into than a Pearl Jam concert.

Braveheart

Wallace: It's all for nothing if you don't have freedom.

William Wallace's father: Your heart is free. Have the courage to follow it.

Stephen: The Almighty thinks he can get me out of this, but he's pretty sure you're fucked.

William Wallace: Every man dies, not every man really lives.

Hamish: Where are you going?
Wallace: To pick a fight!

Stephen: I didn't like him anyways. He wasn't right... in the head.

Stephen: I told ya. It's MY island!

Uncle Arvid: Well, that's somethin' we'll have to remedy, isn't it?
Stephen: I don't know father, I'll ask him!
Longshanks: Who is this person talking to me as if I need to hear his advice?

Breakfast at Tiffany's

Holly Golightly (Audrey Hepburn): You know those days when you get the mean reds?
Paul (George Peppard): The mean reds, you mean like the blues?
Holly: No. The blues are because you're getting fat and maybe it's been raining too long, you're just sad that's all. The mean reds are horrible. Suddenly you're afraid and you don't know what you're afraid of. Do you ever get that feeling?

Holly: We're alike, me and cat. A couple of poor nameless slobs.

Holly: Cross my heart and kiss my elbow.

*The Breakfast Club

Brian Johnson (Anthony Michael Hall): Saturday, March 24, 1984. Shermer High School, Shermer, Illinois, 60062. Dear Mr.Vernon. We accept the fact that we had to sacrifice a whole Saturday in detention for whatever it was we did wrong--and what we did was wrong--but we think you're crazy to make us write an essay telling you who we think we are. What do you care? You see us as you want to see us. In the simplest terms and the most convenient definitions, you see us as: a brain, an athlete, a basketcase, a princess, and a criminal. Correct? That's the way we saw each other at 7 o'clock this morning. We were brainwashed.

Claire (Molly Ringwald): Ignore him, he's just trying to get a rise out of you!
John Bender (Judd Nelson): Sweets? You couldn't ignore me if you tried. So, so. Are you guys like boyfriend-girlfriend? Steady dates? Lovers? Come on, sporto, level with me, do you slip her the hot beef injection?

Claire: You know why guys like you knock everything?
Bender: Oh, this should be stunning.
Claire: It's because you're afraid.
Bender: Oh, you richies are so smart, that's exactly why I'm not heavy into activities.

Bender: But face it. You're a neo maxi zoom dweebie, what would you be doing if you weren't out making yourself a better citizen?

[singing]
Bender: I wanna be an airforce ranger. submitted by Sarah

Bender: So Ahab, can I bum my doobage?

Brian (stoned): Chicks cannot hold their smoke, that's what it is.

Brian (to Allison): Are you gonna be like a shopping bag lady? You know, like sit in alleyways and like talk to buildings and wear men's shoes and that kind of thing?

Brian: The girl is an island of herself.

[talking about parents]
Andy (Emilio Estevez): What do they do to you?
Allison (Ally Sheedy): They ignore me.

Andy: We're all pretty bizarre. Some of us are just better at hiding it.

Bender: You must be a fuckin' idiot.
Brian: I'm a fuckin' idiot because I can't make a lamp?
Bender: No, you're a genius cuz you can't make a lamp.
Brian: What do you know about trigonometry?
Bender: I could care less about trigonometry.
Brian: Bender, did you know without trigonometry there'd be no engineering?
Bender: Without lamps, there would be no light.

Allison: When you grow up, your heart dies.
Bender: Who cares?
Allison: I care.

Bender: Don't you ever talk about my friends! You don't know any of my friends, you don't look at any of my friends, and you certainly wouldn't condescend to speak to any of my friends. So you just stick to the things you know: shopping, nail polish, your father's BMW, and your poor, rich drunk mother in the Caribbean. And as far as being concerned about what's gonna happen when you and I walk down the hallways at school together, you can forget it cuz it's never gonna happen. So go bury your head in the sand and wait for your fucking prom.

Brian: Dear Mr. Vernon, We accept the fact that we had to sacrifice a whole Saturday in detention for whatever it was we did wrong. But we think you're crazy to make us write an essay telling you who we think we are. You see us as you want to see us, in the simplest terms and the most convenient definitions. But what we found out is that each of us is a brain, and an athlete, and a basketcase, a princess, and a criminal. Does that answer your question? Sincerely yours, The Breakfast Club
 

Bride, The

Rinaldo (David Rappaport): I always say you don't know what a man is until you know what his dream is.

Viktor (Clancy Brown): I don't have a heart.
Rinaldo (David Rappaport): Of course you have a heart, my friend. Because it's breaking.

Frankenstein (Sting): On a night like this, men can become gods.

Buffy the Vampire Slayer

Kimberly: Buffy? What's your sitch?

Buffy: Does the word "duh" mean anything to you?

Buffy: All I want to do is graduate from high school, go to Europe, marry Christian Slater and die.

[After getting his whole arm cut off]
Amilyn: You ruined my jacket! Kill him A LOT!

*quotes have been corrected and are in chronological order
 

Created by : Sara
Last Updated: 2-2-01
E-mail: KLAKSO@mn.rr.com