Elizabeth

Reviewed by: CalGal

November 27, 1998

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Elizabeth:

Jesus, this movie sucked.

I mean, it blew big chunks.

(No. That's not the right tone. I sound like Ace. Hmm. Try again.)

It is exceedingly rare for me to sit through a movie and know--while I'm *in* the movie--that I hate it. Thirty minutes into Elizabeth and I knew that this was the worst movie I had seen all year. It offended me more, in its way, than Godzilla.

Much of my ire is due to the fact that this film has INEXPLICABLY been given a great buildup. For the life of me I don't understand this. It's a historical costume drama with no sense of history *or* drama. The acting is amateurish. Geoffrey Rush alone spares himself total humiliation. I'm not sure if he acquitted himself, but if asked for a pardon I might grant it.

Elizabeth is the most recent instance of the MTV-generation costume drama. It is assumed that no one will have any clue about the history involved. But is the audience given the benefit of the doubt and allowed to catch up? Does the screenplay explain the situation at the beginning and then let it unfold?

No. Problem is given, problem is reacted to, problem is explained. There is no continuity, no structure. Just create a moment out of whole cloth, show you the moment, give everyone a chance to emote, move on.

Bad enough. But consider--this is Elizabethan England (hence the name). The screenplay could focus on some terrific problems. Yet with all of a very fascinating period to focus on, they pick--Elizabeth's boyfriend, Robert Dudley, a pouty pretty boy whose eyes are set far too close together. (I dunno why, but this really bugged me. I had so little else to focus on.) Who apparently betrays her because he loved her and was upset he couldn't marry her. It's *tough* loving the Queen, don't you see.

Elizabeth didn't give a shit about ruling England, apparently. She just wanted to get laid by her boyfriend and was upset because it turned out he was married. At that point, well, sure. Maybe she *should* get married to the French prince. He might be cute! But he dresses up as a girl, so she can't marry *him*. But people are still not taking her seriously as Queen! How to fix this? She must make herself ugly and sexless so that no one would want her and she'll look capable of ruling by herself.

This is the big feminist film for the year? A new look at Elizabeth without sexist blinders? Thanks so much.

But the outfits are gorgeous. And no one has a bad hair day. Except Mary of Guise, and I'm pretty sure she was making a fashion statement.

At the end, the movie sees fit to tell us that Elizabeth never married and ruled for 60 years more. I was laughing, thinking, Jesus. No one is *that* idiotic.

And right in front of me a man in his fifties said, wonderingly, "I'll be damned! She was Queen for that long? And she never married?"

ARRRRRRRGGGGGGGGHHHHHH!

A few minor notes:

There is not even a nod towards historical accuracy. Which I could forgive in a more interesting movie, but was a huge irritant here.

But Pseudo got one thing wrong. Mary of Guise is assassinated in the movie, not Mary of Scotland, who is mentioned often but does not make an appearance. Mary of Scotland would have been in her early teens during the time this movie had pretensions of presenting.

Mary of Guise was not assassinated either, but that's a different story. In fact, she was Mary of Scotland's mother--still *another* story, and both of them are more interesting than the non-story used in Elizabeth.

And to be fair, Kathy Burke, who played Mary Tudor, was actually very good. I forgot about her, and I shouldn't have. The reason I forgot about her is because they spent the first fifteen minutes of the movie focusing on her obsession with *not* letting the throne go to Elizabeth, a Protestant and the whore's daughter. But then she dies and there is no explanation as to why she changed her mind and is utterly dismissed from the movie.

Another story that would have been more interesting.

I've always felt sorry for Mary Tudor and Burke's performance is excellent at invoking distaste and sympathy in equal measures.