American Beauty

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September 27, 1999

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581. DantheMan - 9/27/99 6:15:18 AM

I saw American Beauty over the weekend and loved it. The acting was spectacular, especially Spacey's, for the reasons Raskolnikov said. I did not find it misanthropic or contrived, but rather very much alive, and Spacey's story even a bit redemptive. I also liked the sense of tension throughout the movie, which reminded me of The Ice Storm (a movie that deserved far better praise than it received) more than anything else recently.

587. Raskolnikov - 9/27/99 8:15:18 AM

Dan:

"I saw American Beauty over the weekend and loved it. The acting was spectacular, especially Spacey's, for the reasons Raskolnikov said. I did not find it misanthropic or contrived, but rather very much alive, and Spacey's story even a bit redemptive. I also liked the sense of tension throughout the movie, which reminded me of The Ice Storm (a movie that deserved far better praise than it received) more than anything else recently."

SPOILERS

What I found particularly contrived was the subplot involving Chris Cooper. The events which lead him to think that Spacey's character is gay would make the creators of Three's Company blush in their dependence on misunderstanding a situation. And in the end, this subplot is the cause of Spacey's death. What does this signify? why did Spacey have to die? What is the film's moral, or lesson from his death? I think the answer is "never let a repressed-homosexual marine make a pass at you". Not particularly enlightening.

588. Dantheman - 9/27/99 9:19:20 AM

Raskolnikov,

SPOILER

I found the meaning of this movie in the Spacey-Bening plot, not the Cooper subplot. I felt that Spacey's conduct, far from being juvenile, showed a sense of finding oneself and freeing oneself from the demands of a person (Bening) who did not have Spacey's best interests at heart. The death at the hands of Cooper, shows that one cannot predict the future, but must live one's life in the present. I suspect that the writer meant to give us a choice between a full life lived as Spacey did at the start and a shortened one lived for one's enjoyment and asks which is preferable.

590. Raskolnikov - 9/27/99 10:03:30 AM

Dan: I recommend watching "Ikiru". That movie generally did what you describe in post 588, and did much better, with greater emotional weight. It also takes a much stronger stand on the criteria for a "good life".

I did think that there was potential for the Bening-Spacey conflict - exploring how change can be difficult to accept for those close to you. But this was at best a sub-theme of the movie, and it was jettisoned in the conclusion, being used only as a red herring.

593. SpenceMirrlees - 9/27/99 10:44:28 AM

Dantheman, if that is the message of American Beauty, that is quite ironic, for along with "everything that happens is meant to be and everything meant to be happens," "live in the moment" is perhaps the top suburban mantra du jour. One cannot attend any decent child's soccer match without hearing these companion sayings.

The reason I didn't think American Beauty was any good at all as a satire was that good satire can demolish its subject on that subject's own terms. American Beauty does not approach suburbia on its own terms, but rather terms that are as mawkish as Leave it to Beaver or the Brady Bunch. In fact, though they don't intend it, the latter two are almost better satires of suburbia than American Beauty.