The Bicentennial Man

Reviewed by: DocBrown

January 15, 2000

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I thought Bicentennial Man was okay, but it did not live up to my expectations. I keep hoping for a sreious sci-fi movie (like Contact) to be a milestone (like 2001) but they never seem to reach that level.

The movie did stay close enough to Asimov's story that I could recognize the quality in it. And everyone involved gave adequate performances.

I was disappointed in the production style, though. Asimov's story took place in the robot-filled world he used for dozens of his novels and short stories. Having read some of them over the years, I was hoping to get a look at the world he described. Instead Bicentenial Man concentrated all its energies on its own plot and simply gave us a standard science fiction backdrop.

For example, a critical part of the original story was the sub-human way some characters treated Andrew Martin. In Asimov's story this was a part of their culture, since all the characters grew up surrounded by robots. We got to see the effect from Andrew's point of view, but we did not get to see the culture that caused it.

We heard about other families owning other robots, and we occasionall saw another robot, but we hardly saw the way the general public acted around any robot except Andrew.

I saw Bicentennial Man with my wife. Having read the story I understood the attitude of Andrew's various antagonists, but my wife did not. To her they were the same shallow bad guys like you might find in any romantic comedy. She thought the movie was boring.

Instead of creating a rich setting that would explore the culture so critical to the story, they gave us flying cars, holographic movie projections, and a Big Meeting Room for the world government. All boring sci-fi staples. Yawn.

Another place where Bicentennial Man failed was the way it treated Andrew's celebrity status as he got older. In the story he was world famous, but in the movie this was hardly mentioned. To me this actually changed the meaning of the story a little bit.