Celebration

Reviewed by: Glendajean

December 10, 1998

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Saw Celebration this week. It was filmed, according to the prominent message posted at the beginning, according to the Manifesto 95 principles. I faintly remember reading an interview about the director in the New York Times several months ago. The directors who sign the pact use natural light, natural sound (recorded at the moment of filming). I don't remember the rest of their tenets.

Celebration is the story of a Danish family gathering at a large estate like country inn to celebrate the owner's 60th birthday. It comes shortly after the suicide of one of his daughters. The dead woman's twin brother owns restaurants in Paris. He is blond and stoic, and returns back to this place which he had left many years before. His brother, a white trash kind of fellow, drinks too much and tries too hard at everything he does, comes with his wife and little daughters. The other sister, sexy and friendly, appears to be borderline nuts. The mother is formal and sees nothing but beauty and love. (It's almost like seeing a Danish version of something written by Tennesee Williams).

A variety of aunts and uncles and cousins also come for the celebration, and a plumpish German man plays the role of toastmaster for the evening. Dressed in formal attire, the party moves from parlor to dining room, following an elaborate order, as old women sing sentimental Danish songs, and old men tell slightly raunchy jokes.

The twin son gets up to give a toast to his father. With glasses raised in anticipation, frozen smiles creep across everybody's faces as the brother begins to tell dark family secrets. Three times, he confronts his parents, and it is only at the last time that there is some kind of emotional reaction. (Perhaps one of the manifesto planks is improvisation by the actors, because the reactions are really odd and delayed). The toastmaster pulls himself together each time, and the party lurches foward again, with the unreality of the social situation matched by the flickering, grainy pictures of the film, lit by candlelight.

Like "Breaking the Waves," there are lots of hand held camera shots and rough edits.