The Long Riders

Reviewed by: Jack Vincennes

April 14, 1999

Return

I was watching TNT the other night and came across a minor masterpiece that I had seen before, but it merits re-recognition. Walter Hill's "The Long Riders."

The story of the James-Younger (and Miller) gang, Hill cast the Keaches as Frank and Jesse James, the Carradines as the three Youngers, and the Quaids as the Millers (he also throws in the Guest brothers as the duo who eventually shoot Jesse). It comes off not in least bit gimickry. There is a naturalness to the interplay between the men that makes every scene easy and true.

Hill also presents a reasonable facsimile of Peckinpah-style screen violence, while setting forth a keen depiction of rural tradition and family loyalty . His scenes in the Missouri woods, whilst the gang hides out, are well-crafted and authentic, his Texas bar fight by Bowie knife is inspired Western legend, and the Northfield, Minnesota bank debacle is unforgettably haunting. Hill shoots high speed escape by horse interspersed with slow-motion shots of the gang being shot up, commensurate with an eerily slow-soundtrack that purports to track the actual bullet and its impact above the slooooooow distorted sounds of hoof beats, screams, horse whinnies, and thuds.

Hill also comfortably alternates the mythic and the mundane about the brothers, and Pamela Reed as Belle Starr almost takes the movie. Her exchange with Robert Carradine is memorable as she sits, dressed to the nines on her carriage on the street, uninvited to a Younger wedding.