BEGIN LINE_NOIZ.11 I S S U E - ! ! F E B R U A R Y 2 0 , 1 9 9 4 >LiNE NOiZ< >LiNE NOiZ< L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L i i i i i i i i i i i i i i i i i i i i i i i i i i i i i i i i i i i i i N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N O o O o O o O o O o O o O o O o O o O o O o O o O o O o O o O o O o O i i i i i i i i i i i i i i i i i i i i i i i i i i i i i i i i i i i Z Z Z Z Z Z Z Z Z Z Z Z Z Z Z Z Z Z Z Z Z Z Z Z Z Z Z Z Z Z Z Z Z Z Z L I N E N O I Z CYbERPUNk I N f O R M A t i O N E - Z i N E ||||||||||||||||||||||||||||| L i N E N O i Z |||||||||||||||||||||||||||||| I S S U E - ! ! F E B R U A R Y 2 0 , 1 9 9 4 : File ! : Intro to Issue 11 : Billy Biggs : File @ : Third Floor Garden of Eden04 : Pythagoras : File # : Babylon Five Review : The Eyeball Kid : File $ : Rudimentary Interactive Television (101) : The Eyeball Kid : File % : Nibbles of Information : Billy Biggs ---------------------------------------------------------------------------- File - ! Hullo Folks! Here's the issue I said would be out so quickly. I've started a neato little segment at the end of this issue. I assure you it will stay, and if you have anything for it, contact me. -Billy Biggs, editor. --NOTICE: IF you subscribed and HAVEN't recieved any issues, mail me and I'll fix the problem. -*- Subscription Info -*- Subscriptions can be obtained by sending mail to: dodger@fubar.bk.psu.edu With the words: Subscription LineNoiz In the body of the letter. Back Issues can be recieved by sending mail to the same address with the words BACK ISSUES in the subject. ---------------------------------------------------------------------------- File - @ From: maysa@knuth.mtsu.edu (Pythagoras) Subject: Third Floor Garden of Eden04 Third Floor Garden of Eden 04 Medjiama @ 2048 "The following is an excerpt from a system message posted on October 31, 2048. It is reproduced with the ecclesiastical approbation of Haiku Medjiama. 'Inhabitants of the University, it is with deep regret that I must inform you of your imminent Banishment. You have seven (7) full work days to vacate the premises of the university and all facilities therein. 'Following the prohibited consumption of the bioengineered Nuerapple you have become increasingly disobedient and alarmingly dissident. Dr. Alexia Keyson directly disobeyed my request for her to cease operations concerning her project; and those of you who consumed the fruit are in violation of my requests as well. 'For this my children you are being punished. Your works of art, poetry, manuscript, lyric and science have been noble. Your pursuit for information and assimilation of knowledge has been incredible. You have developed a vastly unique library in not only science and technology but also in the humanities and arts. 'Now all this is to be restricted from you. All your years of living either here in this building or here in our matrix are waste. The building will remain vacant to remind you of your emptiness without it; the matrix will be cut off and unaccessible to the outside world. The entire complex will be full of the enormous wealth of information collected there; but useless to mankind because of your actions. 'The fruit you consumed contains a highly addictive narcotic; a mind altering pyschopharmeceutial designed by Dr. Keyson. The drug accelerates brain cell growth and activity by nearly 50%. As well as stimulating the previously unused 97% of your brain. 'My children eating of this fruit rapes you of your desire to learn and to grow. It robs of you of your need to gain knowledge by giving you an accelerated intellect. 'My university is founded upon these needs and with consumption of the fruit from this tree of knowledge you have achieved in days what we have been striving for for decades. For this reason you no longer need this university, and this university no longer needs you. 'Those of you who have remained in the physical world have achieved a mental perfection that we, the separated can never accomplish. You used chemical enhancements and biological engineering to reach these ends, and your developments in these fields can not help us. You have altered yourself physically and in doing so will be persecuted as we, the separated, were at one time. You have separated yourselves from other humans as we did. You will be hunted, found, tried and then killed. You have taken the fragile balance of your perfect world in the university and smashed it with a single bite of that fruit. For this, I banish you. 'Those separated entities who have lived so long in my matrix are to be banished as well. Not for your sins, but for the sins of your brothers and sisters in the physical world. They have created not just a new fruit tree, but a new branch on the tree of mankind. Perhaps these are the next step in human evolution, perhaps they are a step backwards. This I do not know. But I do know that they leave you with great and obvious imperfections. With sadness I realize that we can never achieve the level of intelligence they have achieved, no matter how long we reside here in this university matrix. Therefore, I must employ you to leave and begin a new quest. A quest not for knowledge or intelligence; but a quest for life and happiness. 'You the separated as just as human as those with legs. You are able to feel pain and hatred, love and jealousy. I encourage you to search the world over in hopes of finding a new life and new ways of survival. For you too are to be persecuted as well. To the outside world you are mere myths, dead and the ghosts of the net. They will not acknowledge your humanity; they will treat you with unfairness, dishonesty and hatred. They will analyze you, persecute you and question your intelligence as well as your very existence. 'All this and more I have seen my children. The future will be hard for you. You will suffer much and receive little respect from those who do not understand you. You will be forced to forget your heritage just as I am forcing you to leave you home. 'Yes, the future is closer than you think; and it will not be not a pleasant time to be who you are and where you're from. The future will come in seven (7) short days, I demand that at that time you have vacated the premises and any who remain in these facilities will pay the price of death.'" ***************END I hope you've enjoyed this series of stories. If anyone is interested I'm considering putting them together as a whole and then posting them at an FTP site, or just mailing them out to those who want them. If you might be intrested, please mail me at maysa@knuth.mtsu.edu One foot in the future, Pythagoras maysa@knuth.mtsu.edu ---------------------------------------------------------------------------- File - # From: eyeballk@orion.login.qc.ca (The Eyeball Kid) Subject: Babylon Five Review CUTE KIDS AND ROBOTS? I DON'T THINK SO. A few days ago I saw episode two of BABYLON FIVE, J. Michael Straczynski's answer to Star Trek and his self-proclaimed attempt (re: Sci-Fi TV) to "get it right". The story revolved around the arrival of a "Soul-Catcher", part of a race of beings that considers it their duty to stop souls being "lost". Religion and politics: excellent material for Science Fiction AND Television. Too bad it didn't follow through. What we got instead was a lunatic (a well played charismatic lunatic, but a clichi none the less) running through the station after having suffered a career crisis, collecting souls before their owners are done with them. Ho-hum, oh dear... J. Michael Straczynski tours the SF convention circuit regularly, talking to fans, drumming up support for his show, but after a TV pilot and two episodes I'm beginning to wonder Who does he talk to, and What does he watch on TV? His mandate for Babylon Five was "no cute kids or robots" (why he hired one as his lead actor I don't know). "Hill Street Blues in outer space" was another pitching line but, apart from the liberal use of a smoke and some blue uniforms, the comparison is far from appropriate. Perhaps his mandate should've been "no gratuitous SPFX" -- then at least we'd see how good the writing really is. Because, in my opinion , four TV-hours of Babylon Five doesn't hold a candle to fifteen minutes of Northern Exposure or Picket Fences -- cute kids and all. Straczynski, for all his posturing, has missed the ingredients important to any TV show: Moral Dilemma, and Drama. Maybe doing time on Murder She Wrote (a show devoid of moral dilemma) drove it out of him. Whatever it was, the absence becomes blatantly obvious in the episode mentioned above. The existence of "The Soul" is the central argument of every religion on earth. It has shaped every culture on our planet, but never has it shaped any two cultures exactly the same way. Catholics, Protestants, Buddhists, Muslims, and Hindus (to name a few), all have different interpretations of the soul and it's purpose. Atheists and Agnostics complicate matters further. I doubt that this problem will be resolved in the next two hundred years (Godel's theorem suggests it might never be solved), but in Babylon Five no one even raises an eyebrow. Now, if you were on a space station and someone arrives with a bag full of souls, what would YOU say. "Really? I'd like to see them. They might answer some long standing questions on my planet," or perhaps "Do you have a license to collect those?" or perhaps "I'm sorry, I'm an atheist which makes you a liar." A Catholic might ask if it was like purgatory. A Buddhist might ask if it was anyone they knew. But on Babylon Five these questions not only go unanswered, THEY GO UNASKED! A "soul"? What IS that? A "lost" soul? Why is it lost? If it's not "lost" is it "captured"? What do you do with them when you find them? Where do you keep them? How? Why? Would you like that to happen to you? Why? Why not? NOT ONE OF THESE IDEAS EXPLORED! Good television (and Science Fiction) asks questions. IF the soul exists THEN what happens IF... etc., etc. "But," someone says with a patronizing air of superiority (usually the producer or studio executive) "Science Fiction is for the young and the young at heart." You mean like 1984, and Brave New World; Dune and Neuromancer; Flowers For Algenon and Bladerunner? Or do you mean like Lost In Space and THUNDERBIRDS? "Yeah! Lost In Space! That Billy Mummy was such a cute kid!" Ironic that he's also in Babylon Five. Shame on you Michael. "And besides," the executive will continue, "Sci-Fi fans don't want a lot of complicated philosophical stuff! They want SPECIAL EFFECTS! You know: SPACESHIPS! And ACTION!" Hmmm. I wonder about that. The average Science Fiction fan has an above average IQ. They've been thinking about weird stuff most of their lives -- usually alone. Most figured out the paradox of time travel by their twelfth birthday; most know that Newspeak is a way of brainwashing the population; that computers don't "think" but one day might; that space is really big, and that the only way to move across it fast is with a Warp drive; that there's no air out there, and it's only by coincidence that the Star Trek TNG away team always lands on a planet with breathable atmosphere (so they don't need space-suits); and that if someone who claimed to be a "soul-catcher" landed on the enterprise Data and Jean Luc would both want some answers DAMN QUICK. In a single season of Northern Exposure they dealt with Jungian and Freudian psychoanalytical theory, Proust and "historical truth", the nature of the self (several times), and Kafka. A season of Picket Fences deals with the media and freedom of speech, the repercussions of violence, the right to die, censorship, privacy, religious freedom, sex and the nature of sexual orientation, and society's obligations to the homeless. Both shows have imagination, intelligence, wit, and humor. They don't talk down to their viewers, don't simplify the issues, and they don't run from a MORAL DILEMMA. Indeed, as with all great drama THEY SEEK IT OUT! The "cute kids" in Picket Fences make serious choices with serious consequences, get hurt, and pay for their mistakes. It's drama written for grown-ups, by grown-ups -- an abstract forum for intelligent and often socially relevant ideas. And it's DRAMATIC -- you don't know what will happen to these characters because, when a TV show doesn't treat it's audience like "cute kids or robots", they'll try anything. Characters will get hurt, they'll fail, screw up their lives, and screw up someone else's life too. You don't want it to happen, but it's good TV. And it's the reason I started reading Science Fiction: because that's what it delivered. But when it comes to Science Fiction Television and the concept of "drama" -- nuances of character, conceptualization of ideas, even basic story structure -- SF is still just "radio with pictures". And not very good radio, either. Why? Because J. Michael Straczynski is way off the mark. The problem with SF TV is NOT "Cute Kids and Robots". They're just a symptom. The PROBLEM is the way the audience is treated. The Eyeball Kid eyeballk@orion.login.qc.ca ---------------------------------------------------------------------------- File - $ From: eyeballk@orion.login.qc.ca (The Eyeball Kid) RUDIMENTARY INTERACTIVE TELEVISION (101) In my last article -- or tirade, depending on where you're standing -- I suggested that viewers who had a "problem" with the programming they were subjected to hit back at the networks responsible. Unfortunately, due to a screw up on my part, the list of potential targets was missing from the post. Following is a chunk of the article, and the names and addresses of the Networks you might want to get in touch with. Unfortunately my sources are rather limited and a little dated, so the names attached may no longer be current. I suggest you either double-check the listings, or address any letters and faxes to "programming director". ARTICLE SEGMENT: ...Write yourself a letter, something along the lines of the following: "Dear [Programming Exec.], I'm tired of watching [name a crappy program]. Stop inflicting your stupidity on me right now or I won't watch any more." or alternately, "Dear [Programming Exec.], I am a loyal fan of [name great show]. I hear your ratings are down. If you cancel this show I won't watch your Network ever again. Don't worry, I have a VCR and Cable." or you can create your own demographic with, "Dear [Programming Exec], I am a [name of depravity, preferably sexual], and buy a lot of [name of product, the weirder the better]. I like [name show], and think about [actor or product] almost all the time. Please get rid of those stupid [name commercial you hate] and put on something with more [name product you love]. You could of course be more eloquent, make programming suggestions, maybe ask them to sink Seaquest once and for all and play reruns of "Soap" again. Whatever. You address it to one or all of the following names, and fax it out after 11PM (23:00). Each fax might cost you three dollars in long distance charges. ABC TV 2020 Ave Of The Stars 5th Floor Century City LA CA 90067 Tel: 310-557-7041 Fax: 310-557-6021 Jim Painten (VP Production) Ian Valentine (VP Movies For TV) NBC International TV 30 Rockefeller Plaza NY NY 10112 Tel - 212-664-6606 Fax - 212-333-7546 CBS Entertainment 7800 Beverly Boulevard Television City LA CA 90036 Tel 213-852-2345 Fax 213-651-5900 Pres: Jeff Sagansky Program: Christine Smith CTV Television Network 24 Charles St. East Toronto, Ontario CANADA M4Y 1T5 Tel: 416-928-6025 Fax: 416-528-0907 Arthur Weinthal, VP Entertainment Programming Global TV 81 Barber Greene Rd. Don Mills Ont. CANADA M3C 2A2 Tel: 416-446-5415 Fax: 416-446-5398 Michael Spivak CBC Television 25 John St. 7A300 Toronto Ontario Canada M5E 3G6 Tel: 416-205-6798 Fax: 416-205-7162 Debbie Bernstein Now it gets BETTER: They HAVE to read it -- it's a FAX. And some of them have to reply! And remember, each letter or fax they receive is considered to represent many more that nobody bothered to mail: if five hundred SF fans send faxes IMAGINE THE ONES WHO ARE JUST NOT WATCHING! Form letter three is a doosey in this case. Hey, if it works for the moral majority it can work for YOU! OK, I supplied you with the target coordinates. All you have to do is assign you weapons and start firing. Because if you don't, you're just as responsible as THEY are. The Eyeball Kid EyballK@Orion.login.qu.ca ---------------------------------------------------------------------------- File - % .. nibbles of information /by billy biggs o Internet site spot : Neato stuff to check out [ Hello fellow 'netrunners'. Here is where I will regularily post up some ] [ neato FTP, telnet, usenet, gopher, mail etc. places to check out. ] ------------------ FTP: ftp.uwp.edu Description: Every music info you could ever want (almost). Lyrics, tabs, discogs, pictures etc. ------------------ Telnet: holonet.net (157.151.0.1). Login: CDC Description: CD Connection. Database of over 80,000 CDs which can be ordered through this service. I haven't yet ordered from them, but it looks very impressive. ------------------ o The Music Review Corner : Reviews of stuff, old and new, bad and good... [ I have come to the conclusion that it would be a good idea to start ] [ reviewing all the weird music I have lying around. ] ------------------ Artist: Art of Noise Date: 1992 Album: The Best of the ... Length: 10 tracks, 40 min Review: I had only seen the video for 'Close to the Edit' before I purchased the Art of Noise tape. The british alternative (?) group is very strange and very interesting. The music they play is electronicaly inclined, using a wide variety of samples and synth sounds. The title of the group does reflect the sound, noise. The 'noise' used is more musical than industrial. I sometimes got the feeling of an orchestra playing due to the artistic method used by the group. I was greatly impressed by the variety of music on this tape. Each song is very unique and different from the others (although you can still tell that it is made by the same group). While not all of the songs stand out as being any good, I am still considering buying more of their work. -bB Artist: New Order Date: 1987 Album: Substance - 1987 Length: 12 tracks Review: Like the 'Art of Noise' tape, I bought this after seeing one of their videos, 'true faith'. Unfortunately, I found that that song was the only one left in my head after listening. The sound is synth, guitar, bass and drums, sounding more synth inclined yet no real inovating methods (at times the music really reflects the date). I like the tape and like to listen to it, but if I had a choice, I would much rather have liked to check out one of their more recent works (Republic?). The best song is 'True Faith', with a great hummable tune and an okay video. -bB [ You think you can write a review too, then do so! ] ---------------------------------------------------------------------------- >> << >> ISSUE 12 to b out soon [if I ever get any submissions.....] << >> << END LINE_NOIZ.11 -- Billy Biggs Ottawa, Canada "When all else fails, ae687@Freenet.carleton.ca read the instructions"